DJI now officially announced the Zenmuse X7 Super 35mm camera module with Raw video capture. This Zenmuse X7 which mounts to the company’s drones features a new, proprietary lens mount called DL/DL-S lens mount. The US price for Zenmuse X7 body is $2,699, now available for pre-order at DJI Store, will be shipping in November, 2017. DJI also announced four new DL-mount lenses: 16mm f/2.8, 24mm f/2.8, 35mm f/2.8, 50mm f/2.8 lenses. The carbon fiber bodied lenses will cost $1,299 each, with the exception of the 50mm, which is $100 cheaper, though a camera bundled with all four lenses will cost just $4,299.
The Zenmuse X7 can shoot 6K CinemaDNG Raw or 5.2K Apple ProRes footage at up to 30p or 3.9K CinemaDNG and 2.7K ProRes at up to 59.94p. The company claims 14 stops of dynamic range but, like all video manufacturers, doesn’t specify how this is assessed.
Greater Expressive Freedom
The Zenmuse X7 is equipped with a Super 35 video sensor featuring 14 stops of dynamic range for more detail in low-light conditions. Its low-noise image capture enhances grading flexibility by preserving details in both highlight and dark areas while enabling a shallow cinematic depth of field.
To meet the rigorous requirements of filmmakers and television production professionals, the Zenmuse X7 captures the highest image resolutions ever for an integrated drone camera. It is capable of shooting 6K CinemaDNG RAW or 5.2K Apple ProRes at up to 30 FPS, as well as 3.9K CinemaDNG RAW or 2.7K ProRes at up to 59.94 FPS to integrate seamlessly into industry-standard post-production workflows.
Enhanced Imaging Potential
The Zenmuse X7 uses a dedicated aerial mount system, the DJI DL-Mount, featuring an ultra-short flange focal distance to carry prime lenses optimally. Available with focal lengths of 16 mm, 24 mm, 35 mm, and 50 mm, each lens has a maximum aperture of F/2.8 and is crafted out of carbon fiber, making them durable and lightweight for high-performance aerial cinematography with the DJI Inspire 2 drone.
To allow for advanced setting adjustment and fine-tuning, the 16mm lens is equipped with a built-in ND 4 filter, and the 24 mm, 35 mm, and 50 mm lenses feature a mechanical shutter.
Higher Flexibility in Post-Production
DJI has also introduced a new DJI Cinema Color System (DCCS) making the Zenmuse X7 an asset on every film set for movies, TV series, commercials, documentaries, and more.
“For the Zenmuse X7, we took our color science to the next level,” continued Pan. “We consulted the world leading authorities in color science, Technicolor. With their guidance, our engineers developed an optimized gamma curve for the X7 allowing more latitude without sacrificing image quality.”
DCCS features a new D-Log Curve and D-Gamut RGB color space to give more flexibility and color options during the post-production process. The D-Log further extends the dynamic range, while the D-Gamut RGB color space preserves more color information to support the most demanding filmmaking scenarios, providing accurate color for quick and easy post-processing.
The new EI Mode mimics the way a film camera works to help cinematographers capture as much information as possible in every scene while balancing the dynamic range and noise with different log curves for more flexibility during the post-production process.
The Zenmuse X7 gimbal system weighs just 631 grams with the 16 mm lens. The DJI Inspire 2 has a flight time of up to 23 minutes with the Zenmuse X7.